The colour of this small vase / decanter is called tea. Personally we think it also reminds us of smoky rose or smoky salmon. In the background are visible some flamingo coloured drinking glasses. Jason has prepared a really nice description for this post but I couldn’t decipher his writing …
Any item in your imagination is of course available in any of the colours that you see on Jason’s online profile. He will be happy to make items to commission, please ask if you have an idea. It’s not a distraction to work with you, it’s what we are here for.
To get ready to make additional seeds for the ongoing nut and seed project it is necessary to try out different glass colour batches, blow them out and see how different colours react with each other. It takes trial and error and educated judgments to find those glass colours that work best to make life like blown glass seeds and glass nuts.
As you might already know Jason joined the Verlocal team who are offering a wide range of weekend activities, experiences ranging from glassblowing with Jason to building terrariums and drawing classes, photography tours, macaron baking, surfing, rock climbing and more..
Jason is pretty excited to start working with Verlocal and we have already booked and seen the first few half-day-students who each made their choice of drinking glass or ornaments.. NOW we spotted this incredible discount code in an email promoting Jason’s glassblowing experience class with 20% discount.
What could be better than that? Only actually being there in the studio and having your first ever experience of turning the blowpipe, gathering glass, shaping this viscous, honey like consistency into the object of your desires?
Please share this forward with friends and work colleagues while the code is still valid. We aren’t sure what the expiry is on it.
THIS acorn is now SOLD. We welcome your custom orders.
Jason Stropko creating a special order, extra large, blown clear glass acorn.. The small ones are usually solid glass and weigh about what a good paperweight does. All size acorns are available well in time for the Thanksgiving Winter season, we strive to complete your orders at the first opportunity. If we have a lot of work in the studio we will try and fit acorns between other production items. We know your order is special to you and it is to us, too. If you have a deadline by which you need any custom made pieces then please give us a call or send us a message before placing your order. We always try our best but it is still best to check in.
Prices for all acorns vary depending on size. For current pricing please check our shop or use the contact tab on our website.
(Limited acorns are available for $– please check current prices on our website shop or send us a message. Our prices have changed as our business grew since 2015.
Also worth noting is that we do continue to have occasional seconds sales of pieces that are beautiful but have small irregularities – perhaps a small air bubble or a slightly unintended shape. As the years have gone on we have less seconds these days than we did 7 years ago but it’s worth asking us about seconds if you love what Jason Stropko creates but need a more wallet friendly option.
All our glass is, yes the seconds, too, is tactile, beautiful and daydream invoking but may contain a small defect, which can be that the size doesn’t match it’s brothers and sisters or that it’s cap sits a little differently or it may have caught an unintended dent. Still a beautiful heirloom piece with a character all of it’s own)
This handblown glass bowl takes a total of 26 hours to create. There are 2 separate hot glass blowing processes used, each requiring a 12 hour annealing (precise temperature controlled cooling) and a cold worked engraving process, which takes another craftsman up to an hour for each bowl.
The making of these bowls requires a high level of competent glassmaking craftsmanship, something that Jason has dedicated himself to full time for the past 12 years..
As an outsider I just keep finding it amazing how much physical energy and simultaneous fine tuned technical skill goes into making each object that emerges from the hands of any of the glassmakers here at the studio.
Alex Abajian has some serious skills and a few more years of experience than most of the other glassmakers around the studio. It is always additionally exciting when two or more talented makers work together!
spending the day developing project ideas and making more of the blown glass table set items.. drinking glasses, bowls and functional vessels will be ready soon!
The process benefits tremendously from teamwork. Good communication, a sense of humour a steady hand and years of skill are all requires from both the gaffer (Jason) and his assistant; today Evan Kolker who is an incredible glassmaker, on other days Jason assist him in the making of his intricate and highly technical skill requiring glass art objects! It is a real stroke of luck that Jason found this glassmakers community. Where many colleagues also have very high skills levels. There is also Alex Abajian, the studio owner and another outstanding glassmaker. A series of glassmakers rent the studio and there are a lot of fantastic projects happening here. You wouldn’t know what you are missing until you see what these people make out of molten glass..
(written from the perspective of a glass-layperson)
This was one of the most exciting projects that I have been able to witness at the Glass Studio so far. The teamwork among these glassmakers is really great, there is a huge amount of competency coupled with fantastic working atmosphere. The day is spent working incredibly hard with serious concentration and yet there is always a surprise moment when Alex’s intelligent sense of humour gives occasion for laughter and short refreshing relief. I have rarely seen people work so incredibly well together as here at Glow Glass Studio in Oakland.
Witnessing this process and the attitudes the makers and artists here have with each other has done a lot for my appreciation of the craft and technical skills-manship but also is taking dusting influence over both Jason and my (Birgit’s) future choices of places to live and creative paths to pursue.
Having this opportunity to be here is incredible. Seeing all this hard work affects hugely how I, as an artist and glass-layperson, am able to appreciate this material and the possible forms of expression. Coming from a conceptual arts background it is refreshing to be surrounded by the down to earth labour these creatives are bringing to the table each day.
After witnessing just how much dedication and years of skill are required to excel in this field, seeing the amount of dedication as well as equipment required to build a smooth running glassblowing workshop changed my perception a lot. The value of glass in our society is huge, this is an age old but simultaneously incredibly fresh and contemporary medium that can teach us something about the value of an object that a China or Mexico produced (knocked out) mass ware item will never be able to.
When you see or hold handblown glass there is a connection that you will not experience with mass market products. In theory wine, juice or water should taste the same out of every drinking glass for example, however in practice: if you have any sensibility at all then the experience of drinking from a handmade vessel will be far superior and infinitely more pleasurable than from a throwaway valued glass or paper cup..
Alex Abajian holding the blowpipe with the large body cast glass (project for Ivan Mora)Don’t let the price fool you: you will receive what you pay for. A lifelong heirloom treasure or an anonymous object that is the same the world over…
Back to Ivan Mora: look him up! He is a really successful artist making his way in the world; quite literally globally! And all the while he is also a real pleasure to speak with. This is the best combination in an artist isn’t it? Talent, success and absence of attitude. Brilliant stuff!
Watching the casting process for a large glass art piece for Ivan Mora, another inspired and talented glass artist who works internationally! Today we had the opportunity to catch up with him a bit and I learnt that he was artist in residence for an extended period of time at the glass studio Berengo in Murano, Venice, Italy.
In Spring – summer 2013 Jason spent some time at Berengo Glass Studio before moving on to getting more hands on involved at Zanetti (practically around the corner from Berengo).
These are some of the world’s utmost renowned glassmakers and it was really exciting to hear personal stories of Ivan’s time there as well as to get to know him a bit better over a cup of coffee.