#2 from the day of working with Alex Abajian and Ivan Mora

(written from the perspective of a glass-layperson)

This was one of the most exciting projects that I have been able to witness at the Glass Studio so far. The teamwork among these glassmakers is really great, there is a huge amount of competency coupled with fantastic working atmosphere. The day is spent working incredibly hard with serious concentration and yet there is always a surprise moment when Alex’s intelligent sense of humour gives occasion for laughter and short refreshing relief. I have rarely seen people work so incredibly well together as here at Glow Glass Studio in Oakland.

Alex Abajian holding the blowpipe with the large body cast glass (project for Ivan Mora)

Witnessing this process and the attitudes the makers and artists here have with each other has done a lot for my appreciation of the craft and technical skills-manship but also is taking dusting influence over both Jason and my (Birgit’s) future choices of places to live and creative paths to pursue.

Having this opportunity to be here is incredible. Seeing all this hard work affects hugely how I, as an artist and glass-layperson, am able to appreciate this material and the possible forms of expression. Coming from a conceptual arts background it is refreshing to be surrounded by the down to earth labour these creatives are bringing to the table each day.

Jason torching the large glass body cast to keep it at even temperature to protect it from cracking before it can be placed into the annealer for a day long, controlled cooling process.. Project by Glass Artist: Ivan Mora
Jason torching the large glass body cast to keep it at even temperature to protect it from cracking before it can be placed into the annealer for a day long, controlled cooling process.. Project by Glass Artist: Ivan Mora

After witnessing just how much dedication and years of skill are required to excel in this field, seeing the amount of dedication as well as equipment required to build a smooth running glassblowing workshop changed my perception a lot. The value of glass in our society is huge, this is an age old but simultaneously incredibly fresh and contemporary medium that can teach us something about the value of an object that a China or Mexico produced (knocked out) mass ware item will never be able to.

When you see or hold handblown glass there is a connection that you will not experience with mass market products. In theory wine, juice or water should taste the same out of every drinking glass for example, however in practice: if you have any sensibility at all then the experience of drinking from a handmade vessel will be far superior and infinitely more pleasurable than from a  throwaway valued glass or paper cup..

Alex Abajian holding the blowpipe with the large body cast glass (project for Ivan Mora)Don’t let the price fool you: you will receive what you pay for. A lifelong heirloom treasure or an anonymous object that is the same the world over…

Back to Ivan Mora: look him up! He is a really successful artist making his way in the world; quite literally globally! And all the while he is also a real pleasure to speak with. This is the best combination in an artist isn’t it? Talent, success and absence of attitude. Brilliant stuff!

Making large cast glass work to commission for Ivan : at Glow Glass Studio – teamwork

Watching the casting process for a large glass art piece for Ivan Mora, another inspired and talented glass artist who works internationally! Today we had the opportunity to catch up with him a bit and I learnt that he was artist in residence for an extended period of time at the glass studio Berengo in Murano, Venice, Italy.

In Spring – summer 2013 Jason spent some time at Berengo Glass Studio before moving on to getting more hands on involved at Zanetti (practically around the corner from Berengo).

These are some of the world’s utmost renowned glassmakers and it was really exciting to hear personal stories of Ivan’s time there as well as to get to know him a bit better over a cup of coffee.

Casting at Glow Glass Studio with Alex Abajian, Ivan and Jason
Casting at Glow Glass Studio with Alex Abajian, Ivan and Jason

working with Glass Artist Jess Wainer at Glow Glass Studio…

Yesterday Jason assisted Jess Wainer creating her beautiful luminescent large glass lampshades for a client commission. In the light these shades virtually glow and diffract colour into these gorgeous washes of green, yellow, red.. When not hit by direct sunlight the shades are a warm golden honey yellow with a whitish fog over towards the rim.

The picture shows Jess’s work straight from out of the annealer after their overnight controlled cooling process; before the items are cold worked and finished, hopefully we can show her final pieces, too.

Each lampshade will sell for $1000, 3 were ordered.

Lampshade designed by Jess Wainer, created with assistance from J.Stropko

glassmaker’s tools in the glass studio

glassmaker's tools in the glass studio
glassmaker’s tools in the glass studio

Here are a selection of tools made especially for working with hot molten glass as well as some more familiar ones that you will recognise from home diy projects.

On the far left is a cork yoga block that Jason cut into half, glued to a sheet of plywood and turned into a tool that can shape molten glass. He often uses this one when he is making blown glass chestnuts for example. Keep an eye on other studio photographs and you might spot him using it. He calls this a cork paddle.

Jason adds a very special new product to his collection of handblown glass! #3

pattuto drinking glass
Battuto drinking glass, made by Jason Stropko

A very special drinking glass, a style of which not many exist anywhere (because it requires time consuming multiple work steps to great and there is no other way of creating it..)

The process is called battuto. The glass is first blown into a mould to create ripple lines, blown a little thicker than usual. Then annealed overnight. Then the glass is ground with special glass grinding wheels, a process that in total take around 2 hours in the hands on making + the annealing time. THEN the glass is hot torched to soften the ground glass edges and sandy appearance. Then the glass is once more annealed and finally examined to check if the desired affect was achieved.

The total time worked and equipment used accounts for the uniqueness and price of this luxury, special occasion item! We are thinking about developing a full table set of these battuto glasses to offer at gallery price to the right person.

A Twisty Cane drinking glass is being born..

A twisty cane test piece. Keep an eye on this spot for a whole set of them making it's appearance some time this summer.. And if you do see them: jump on them before they are gone. Not many people make cane work. It is technical, time consuming, intricate and requires experience.
A twisty cane test piece.
Keep an eye on this spot for a whole set of them making it’s appearance some time this summer.. And if you do see them: jump on them before they are gone. Not many people make cane work. It is technical, time consuming, intricate and requires experience.