Collaboration: Erin Hupp Ceramics and Jason Stropko Glass

‘A serving of Caviar’ a Collaboration by Erin Hupp & Jason Stropko

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• November starts off great! (Finally a great start to a month!) •

Ceramicist Erin Hupp & painter Jaime Lovejoy host a pop-up gallery on 2162 Union Street in San Francisco & I was invited to collaborate with Erin on a caviar serving dish.
Larger than life, solid glass sculpted caviar eggs, by Jason Stropko Glass. / überdimensionale Glasskunst

On view 3 days a week, only in November.
Please come by and enjoy some craft and company.

Location:

Pop-Up Gallery, 2162 Union St. , San Francisco, CA 94123
Google maps link: https://maps.app.goo.gl/Uxxzv8DzqFDJ13XK9

Opening hours: 

Fri, Sat & Sun, 11am – 6pm
Check in with us ahead of time if you would like to chat with any of us in person.

Glass: www.JasonStropko.com 
@JasonStropko

Ceramics: www.erinhuppceramics.com 
@ErinHuppCeramics

Painting: www.jaimelovejoy.com
@JaimeLovejoyart

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• November starts off great! • 

caviar made from solid sculpted glass, presented on a ceramic caviar serving dish

Erin and Jason join creative forces to share with you a collaboration inspired by a mutual appreciation for the culinary arts in marriage with high craftsmanship!  

This collaboration began when Erin, on a search for a skilled glassmaker, discovered the one-of-a-kind art glass beetroot cloches that Jason recently created for Atelier Crenn, a 3 Star Michelin Restaurant in the heart of San Francisco.

During our first meeting Erin and Jason shared project concepts and work samples with one another and; on seeing a particularly nice glaze on one of Erin’s pieces; simultaneously had the idea to create glass caviar to harmonize with / accompany Erin’s glazed Caviar serving dishes. 

With mutual enthusiasm it was agreed that this collaboration must go ahead.

Please tag me if you visit & make a post about it: 

@JasonStropko

#JasonStropko
#JasonStropkoGlass
#thesoulofglass 

Jason Stropko handmade glass fish eggs and Erin Hupp ceramic ware, custom made to present caviar.

Other projects you might like:

Atelier Crenn


For Atelier Crenn, pastry chef Juan Contreras & So Good gourmet patisserie magazine

The Beginning: a trip down memory lane

If all roads lead to Rome, then all great adventures begin in London. And that is exactly where this journey starts.

These tree drawings began during my first grey and cold winter in London England in 2009. I went to visit Birgit in the UK, just six months after we met in Venice Italy, to give this international romance a try. Being the young that artist she was at the time, Birgit was living as a “guardian” without tenancy rights, meaning she was not permitted have unattended guests in her apartment. (But the benefit was that her rent was incredibly low.) Long story short: I couldn’t stay at her place during the day while she was away studying on her postgraduate program at Goldsmiths University.

When she left the flat in the morning I, too, set out but not to the comfort of a heated space. I packed my bag with a thermos of hot tea, some flapjacks (let me know in comments if you would like the recipe), a folding stool, my drawing supplies and many layers of clothes. It was a rare winter in which it snowed in London and the snow actually stuck. For the first time in about 10 years it snowed so much that the city just about came to a standstill because the British don’t know what to do if it really snows. You might think England would get more snow being so far north but the warm, salty ocean currents bring warm and salty air to the country, creating a climate with little snow fall. Being from Ohio the snow didn’t bother me and I spent many long days drawing in some of London’s parks. The following images are of trees drawn in the parks & outdoors in London.

I already had some sense of the city having visited Birgit in London months earlier in August, shortly after we first met in Venice in Italy. What struck me was the abundance of parks and green spaces in this vast world city. I formed my regular routines, as one does, and slowly became friends with the cold and a companion to the trees I was drawing.

There is something very special about drawing in nature, even in the cold of winter. Staying in the same spot for an extended period of time had an effect on me and the way I was seeing the landscape, the trees and their textured details. Much to my relief I also took photographs to draw from in the warmth of the apartment when Birgit was at home.

Here are a few drawings made from my photographs in the comfort of a warm space. This is when I started to experiment more with different perspectives and would go for evening walks to photograph in the more dramatic, contrastive lighting provided by the street lamps. 

Looking back I can’t believe I stayed outside for as long as I did in the dead of winter! I think I earned my fish and chips at the time. 

My takeaway from this experience is this: There is not always a right time or a good time to start something. All that matters is that you start and sometimes we all need that little push to get us going. Birgit’s rental situation certainly provided a push.

Is there something you are procrastinating with? What was it that gave you that little momentum to get an action or project rolling? I’d love to hear how you overcame those hurdles in the comments below.

– Jason

For purchase inquiries, please write to me via my website contact form, or send a DM on Instagram & Facebook.

Modern design with Melanie Abrantes

Melanie and I met in person to discuss her designs, dimensions and color questions. After explaining my glass making process and color applications, Melanie set off to the glass color shop to look at sample colors. Our next meeting was in the hot glass studio, my office, where I would shape Melanies designs into life. 

I have had the good fortune of working with studios in California, Ohio, England and Italy, often filling the role of head maker or head gaffer. As head gaffer my job is to make the studios designs, ideas and product line to specific dimensions and color requirements, often with a team of assistants. This can be a very demanding role and requires in-depth knowledge of each aspect of the glass making process from start to finish. Throughout the years and thousands of hours in such possitions I have honed my skills and abilities to be able to make work for designers like Melanie. 

When looking at Melanie’s Marais Vases it is important to understand and appreciate the level of craftsmanship that went into each piece. Each piece embodies the culmination of Melanie’s experience wood turning, her growing designs and my 16+ years of experience making glass and my ability to listen and understand what Melanie is trying to convey and achieve. The Marais Vases are a brilliant example of what can happen when experienced makers come together to create something beyond their own capabilities. 

MARAIS_Group_4